Showing posts with label Learning. Show all posts
Showing posts with label Learning. Show all posts

Friday, August 14, 2015

What is modeling and why bother?



I was wedged in between a bunch of people in a crowded club. The crowd was going crazy with applause and chanting for my buddy Mike's band to come back on for an encore. Mike walked out alone and started to sing while playing his guitar solo. Within a few minutes he had the crowd erupting again. As he walked off the stage, the crowd yelled for more. Mike returned to the mic and with a smile on his face said 'I have no more to give.'

Growing up, this type of experience made no sense to me. I also played music, but suffered from tremendous stage fright. I hated performing. What didn't make sense to me was that Mike looked like he was actually having fun. One day I asked Mike how he got himself to play in front of people and how he dealt with the fear. He looked confused and asked me 'What fear?' Mike explained that he loved performing and that he felt most like himself when he was in front of a crowd.

The fact that two people can have such a different experience of the world has always fascinated me. Modeling is a process that helps you discover what these differences are. Modeling is the process of learning how people do and experience the things they do. There are many different ways to model and as a result, there are many different types of models. One way to think about a model is as a description of how someone gets a particular result. A map is a model of the structure of roads. A recipe describes the steps to take to cook a particular dish. A good model will show you how to get a particular result or how to access a skill or behavior. 

Friday, September 19, 2014

I dream of sushi: Micro Mastery


In the film Jiro dreams of sushi, you get to take a look into the life of a sushi master. It's fascinating to see all the many aspects of this skill of making sushi and putting together what must be an amazing meal. Beyond that, you get to see several of his apprentices and what they experience from day to day. One character spends what looks like several months learning how to make a Japanese form of an omelet that's used in sushi. He attempts a particular part of the process where you have to flip the omelette. Again and again, he makes a mistake and the omelet is ruined. Then finally there is a moment when he gets it and you can see tears of relief in his eyes. 

Learning a skill can be very challenging and especially so if you have no idea how you're doing or if you're making progress. It can often seem overwhelming to practice all of the various elements of an ability.  In this situation, it can be really helpful to focus on a small aspect of the skill and focus much of your effort on that small realm. In this way, you can begin to develop some sense of competence at least in that area. In other words, you get to feel some sense of accomplishment or skill throughout the process of learning. Once you begin to master that piece, you can expand the range of your efforts and pick your next area of focus. 




Thursday, February 21, 2013

Create an Environment for Growth.

Tony Robbins often says that if you want to change the quality of true life, change your environment. Nothing can be more true. In my own life, I can see that certain environments make progress virtually inevitable while others actually hinder progress.

Environment can include your physical settings, the people you surround yourself with, the groups you belong to and the culture at your work.

If you think you can't do something, surround yourself with people who are doing it. If you want to work out, find a community of folks who work out all the time.  If you want to learn a language, surround yourself with people who speak that language. If you'd like a new job, find people who make it a habit to further their career. Once you find the poeple, progress occurs virtually on its own. That being said, it doesn't hurt to ask people about how they've achieved the things they've done. I find that people are almost always excited to share what they know.


Thursday, February 7, 2013

Be Like Miles

There I was again.  I was attempting to learn how to play a Miles Davis solo on my guitar and it happened.  Everything was moving along nicely and then he played a line that I just couldn't figure out, let alone play. This happened just about every time a tried to transcribe someone's solo. Miles was in fact pretty good learn from because he tended to play very few notes and he played them slowly. I found this incredibly frustrating. I was beginning to think that I wasn't cut out for this type of activity or that I had a 'bad ear.'

I must have played that particular line in the solo 100 times. I'd hit rewind endlessly to no avail. I started from the beginning of the solo and reviewed the pieces I knew and then a new idea hit me. I thought that I should go through as many solos of miles that I could find and just learn the easy bits. If I could only get a few notes from each that was fine. I started doing this and within a few weeks I was astounded by the results. Suddenly I could hear all kinds of things that I hadn't been able to decipher a few weeks earlier. My ears had seemingly grown.

Here are a few ideas that make this work.

Slow down:
Whether you're learning a piece of music or practicing a martial art, from time to time, slowing down the tempo at which you take in information, or practice something will help you learn more smoothly than stumbling at a quick tempo.

Practice small, easy pieces:
Focus your efforts on very short discreet pieces that are very easy for you. Practicing something that is too difficult can prove to be counterproductive. Furthermore, it's an indication that you haven't really mastered the skill that lead up to that.

Practice pieces that you like:
Practicing pieces that you like will build greater and greater motivation to keep practicing versus building frustration.

By applying these guidelines, I've found that  I'm able to make progress at a good pace in places where I had previously been stuck. Although you may not end up sounding like Miles or your favorite musician, I think you'll be pleased with the results.

Tuesday, January 15, 2013

Plan To Fail!!


It's the start of the new year and many people set off with resolutions in hand ready to take on the world. For many people, a few weeks into January is when cracks in the well laid plans begin to show up. Perhaps it's not following through and going to the gym, or not eating just a little bit more sensibly.

Although you may not have done exactly what you set out to do, this isn't the end of the world unless you decide that's the case. Richard Bandler, one of the founders of NLP mentioned something really interesting years ago. To paraphrase, he said that people should incorporate some failing along the way to reaching their goals. Most people can count on falling off their plans at some point, so you may as well plan on it. If you do, you can also plan to get back on track.

When people fall off of their plan, many define this as failure and stop. Instead, if you define it as a setback, or part of the overall process, you can pick it up again the next day and get moving again.

I love this shot of Andy Murray. Andy had come unbeliveably close to winning a major in tennis again and again. He had 4 runner ups before finally winning his first major. He was the first playing from the UK to win a major in 76 years. Not bad.


Saturday, December 15, 2012

Never, Ever Give Up.

This is a truly inspirational video of one man's journey to get in shape and regain basic functioning. It's amazing how he sticks it out when his physical situation seemed stacked against him. It points out that sometimes simply gritting it out can really help in confronting life's challenges.

I've watched this many times when I've needed a shot of inspiration to keep me on track.

Original Video on YouTube.

Monday, February 27, 2012

Sugata Mitra: Child Driven Education

What happens when you leave a computer embedded in a wall in a slum?

This is a wonderful presentation on Ted.com. It's truly amazing what can be achieved when a great learning context is in place. What's most amazing is how simple these particular examples are in their setup.





Original Video on Ted. .

Friday, December 30, 2011

Fleden-WHAT??


By Lawrence Wm. Goldfarb ©1993, 1994 All rights reserved.
It was about to happen, that moment, that dreaded moment. I was at my friend Marcello’s birthday party; I had been enjoying the Brazilian music when one of the other guests engaged me in a friendly conversation. We discussed the usual things, such as the weather and how we each knew the guest of honor. Peter had just finished telling me about his research in engineering when it happened:
“What do you for a living?”
“I’m a Feldenkrais®teacher.”
“Felden-what?”
“Feldenkrais. It is a method of movement re-education, named after the man who developed it, Moshe Feldenkrais.”
“Felden-Christ?”
“Close, but not quite. It’sFeldenkrais:
F - E - L - D - E - N - K - R - A - I - S.
It rhymes with rice.”
“Feldenkrais?”
“Exactly. The Feldenkrais Method is a way to teach movement. I work with people who have physical limitations, such as chronic pain or neurological problems, or with people who want to improve their performance, like actors, musicians, or athletes. I also teach classes in the physical education program at the University.”

Wednesday, August 17, 2011

Khan Academy: A new paradigm of education.

Salman Khan started out tutoring his nieces using Skype. After some time, he decided to record some sessions for them and post them online. Over time, he began to get quite a following of these videos and realized that he had found a great alternative or supplement to traditional classroom education.

Here's a talk he gave at TEDTalks.











Here's a link to the Khan Academy.

Friday, May 20, 2011

All Japanese All The Time



All Japanese All the Time.







A buddy pointed out this blog to me. This guy apparently learned business level Japanese in about 18 months.





From the blog:

"I am your host, Khatzumoto. I learned Japanese in 18 months by having fun. In June 2004, at the ripe old age of 21, all post-pubescent and supposedly past my mental/linguistic prime, I started learning Japanese. By September 2005, I had learned enough to read technical material, conduct business correspondence and job interviews in Japanese. By the next month, I landed a job as a software engineer at a large Japanese company in Tokyo (yay!)."

I've been studying Japanese as well as other languages for years, so once I got over my jealousy, I gave it a good read and there are tons of great insights and resources for language learning and working toward any goal.

I recommend it highly.

Monday, May 19, 2008

'Now just memorize that list...'


I can still remember my french teacher asking us to memorize our vocabulary every day. I can remember what she looked like, and exactly what her voice sounded like. Unfortunately I can't remember the vocabulary. I can also remember just how frustrated I was that I had no idea 'how' to memorize the vocabulary. I'd usually get about 70% out of good luck, but I was clueless about how to intentionally get that number any higher. There are many aspects to learning and memorization. One factor is when you study something and when you do subsequent review sessions. Here's a fascinating article about some of the research that's been done over the years on timed reviews and some software that's been developed to help this process called Supermemo.

Enjoy!

Article Link-Supermemo/Wazniak

Wednesday, May 14, 2008

Awareness Test


This is a fascinating awareness test that someone pointed out to me. Love to hear how people do with it. (It's a good one during the NBA playoffs!)

Wednesday, January 30, 2008

Felden-What??

By Lawrence Wm. Goldfarb ©1993, 1994 All rights reserved.
It was about to happen, that moment, that dreaded moment. I was at my friend Marcello’s birthday party; I had been enjoying the Brazilian music when one of the other guests engaged me in a friendly conversation. We discussed the usual things, such as the weather and how we each knew the guest of honor. Peter had just finished telling me about his research in engineering when it happened:
“What do you for a living?”
“I’m a Feldenkrais®teacher.”
“Felden-what?”
“Feldenkrais. It is a method of movement re-education, named after the man who developed it, Moshe Feldenkrais.”
“Felden-Christ?”
“Close, but not quite. It’sFeldenkrais:
F - E - L - D - E - N - K - R - A - I - S.
It rhymes with rice.”
“Feldenkrais?”
“Exactly. The Feldenkrais Method is a way to teach movement. I work with people who have physical limitations, such as chronic pain or neurological problems, or with people who want to improve their performance, like actors, musicians, or athletes. I also teach classes in the physical education program at the University.”
“What do you teach?”
“Usually my students come to me because they are experiencing some kind of limitation, something that is interfering with daily life or obstructing progress or performance. My job is to figure out how they are moving, how that relates to the problem that they are experiencing, and how they could move differently enough so that problem wouldn’t continue.”
“Sounds interesting. Is it some kind of exercise? Or do you show people how to correct their posture?”
“Well, it’s not that easy to answer, mostly because what I teach, and how I teach, is pretty different than exercise or posture. Both of these are based on similar assumptions: If you are weak, then you should exercise to strengthen your muscles. If, on the other hand you think bad posture causes your problem, then you should correct it and stand up straight. Both assume that the body is something that must be molded, should be reshaped, put in its proper place. Neither gives you the chance to see that what you are doing might contibute to the problem you face. Neither approach looks at how you move and how that could relate to the problem you are experiencing.”
“Are you saying that people shouldn’t exercise?”
“No. I’m not saying that. I am saying that exercise alone isn’t enough. The idea behind exercise is that you are not strong enough, that your muscles need to be in better condition. So an exercise program is designed to increase the ability of muscles to work. I think this is often a mistaken view, because the problems that I deal with – chronic pain, neurological difficulties, obstacles to performance – do not have to do with how strong the person is, they all have to do with the way someone moves overall. I guess you could say, I am interested in people moving smarter, not stronger.”
“Are you saying that movement can cause problems?”
“Yes, I am. The way that you move can cause problems. What’s more interesting is that you can be unaware that the movement is at the root of the problem.”
“What do you mean by being unaware of movement being the cause of the problem?”
“Most of us are unaware of how we move. We pay attention to where we are going or what we are doing, not to how we move. For example, think about how you stand up from sitting. How do you do it? What happens? What moves when?”
Peter stands up and sits back down a few times, saying, “I see what you mean. It is more complex than I expected. Usually, I think of standing up and then, next thing I know, I am standing. I guess I have never thought much about it before.”
“That’s what I mean. Most of us don’t think about our bodies until we experience pain or some kind of problem. But that means that we could have been moving in an inefficient or dangerous way for a long time by the time we notice something is wrong. This is one place were the saying ‘If it works, don’t fix it’ doesn’t apply.”
“But why is that? Why don’t we notice?”
“Because our movements become habitual, automatic. We repeat the same movements over and over, without thinking or noticing. When something happens repeatedly, it drops from our consciousness. This isn’t necessarily bad, it is a part of the process of learning.”
“Does that mean we learn to move in inefficient ways?”
“Yes.”
“Why?”
“Well, because we move only as well as we’ve learned to move and our learning to move is very haphazard. There are many things that influence how we move: childhood development, accommodations to previous injuries, the requirements of specialized activities we engage in (such as sports, musical instruments, or work motions). Finally, since we don’t really understand how our bodies move, we often move in ways that don’t fit with the way we are put together.”
“Can you give me an example?”
“Certainly. People think that the body hinges at the waist and they move as if that were so. Unfortunately, the lower back does not allow for that kind of motion; the design of hip joints is what allows the torso to do that. The muscles of the back are not designed for that movement.”
“I see. Moving as if your back were made to hinge at the waist can lead to back strain and pain.”
“That’s it, you understand. But, anyway, I have taken enough of your time with this. Sorry, I can get carried away talking about my work.”
“Not at all, this is very interesting. It sure beats the normal party chatter. My mom has had chronic back pain for years, so I’m curious about your work. I was going to ask you what you could do for her.”
“It’s not easy to say because I would have to see how she moves.”
“Can you say generally what you would do when you start working with someone?”
“Yes, I can describe what would happen if she were to come to see me. I would begin by looking at her move, asking her to turn right and left, bend forward, back and to each side. I would put my hands on her to feel which muscles were working, which muscles weren’t engaging, and which ones weren’t letting go. I would look for some kind of habit or pattern that interferes with other movements.”
“You lost me there. What do you mean when you say ‘a pattern that interferes with other movements?”
“What I mean by that is that it often seems as if people have gotten stuck doing a movement or holding themselves, unconsciously, in certain way. For instance, if you injure your leg, you change how you walk and you begin to limp. The limp may be appropriate immediately after an injury, but it can last much longer than the injury. If it continues longer than it’s needed, it can lead directly to pain, stiffness, and other problems. But that’s just one example; you can limp with your shoulder, your neck, or your back. Indeed, you don’t have to injure yourself to develop this kind of movement. You can acquire a similar habit playing a musical instrument, repeating work movements day in and day out, playing certain kinds of sports, and so on. The key is that you develop a movement pattern that you get stuck with, a pattern that underlies every movement, interferes with any activity that runs counter to it.”
“Go on.”
“For instance, I was recently working with a bus driver who had recurring back pain. When I looked at her movement, it became quite clear that the muscles of the lower trunk were chronically contracted and that her back was locked stiff. Even when she tried to stretch, she could not get her lower back to let go. It was as if she had lost control of those muscles. She thought her back was supposed to be straight, so after her first bout of back pain, many years earlier, she had taught herself to keep her back flat. When she moved her trunk, she overused the muscles of her upper back, so they had begun to hurt constantly. Though the doctor could find no disease, the bus driver still thought something was wrong with her spine. I could help see that it was her movement that was causing the problem.”
“Once she saw that, could she change what she was doing?”
“Not immediately. You see, over the years, she had lost touch with what those muscles were doing. It was as if she was on automatic pilot and she had forgotten how to regain manual control.”
“So what do you do about that? I think it would be incredibly frustrating to understand the cause of the problem and not be able to do anything about it.”
“That’s where the method comes into play. There are two ways in which I work with people: in hands-on individual lessons and in group lessons. Both ways of working are based on the idea of teaching people to be aware of how they are moving, how they can move, and to increase their options and comfort. During the group lessons, I talk people through a sequence of gentle movements; during the individual lessons, I use my hands to move the student.”
“Does it hurt?”
“Not at all. TheFeldenkrais Method is gentle. The idea is that you will change most easily if the new movements are more comfortable than the old ones. I like to say that our motto is ‘No pain, MORE gain.’”
“Is this like massage or chiropractic?”
“Not exactly. The similarity is that we touch people, but beyond that it is very different. In massage, the practitioner is working directly with the muscles, in chiropractic, with the bones. The Feldenkrais Method is about working with your ability to regulate and coordinate your movement; that means that theFeldenkrais Method is about working with the nervous system.”
“What do you mean?”
“Well, remember the bus driver I mentioned. Her muscles were tight because her nervous system told them to contract. They didn’t decide to tighten on their own, muscles don’t think for themselves. The brain tells them what to do. So my job is to help the person learn to control her or his muscles again. I do that using very gentle guided movements, staying in the range of ease at all times.”
“Pretty amazing. You really think people can change without hurting?”
“Absolutely. That’s one of the reason I love what I do.”
“But wait, my mom has some kind of problem with her discs. WouldFeldenkrais cure her?”
” The Feldenkrais Methodisn’t about curing or fixing people. It isn’t a medical treatment, it’s an educational approach. It’s about helping people get control back into their lives by understanding why they feel the way they do and by learning how to move differently so that they don’t have to keep feeling that way. Even when someone has an organic problem or disease, I can help them. For instance, when I work with people who have arthritis, my job isn’t to get rid of the disease, my job is to help them move so that they don’t stress the effected joints and so that they can find more comfortable, safer, ways to do what they want to do. Same thing applies to disc problems – even when there is a structural problem, the question is how can the person move in a better way, so that they increase their comfort and avoid future problems.”
“Oh, oh. They are lighting the candles. Can we talk more after the festivities. . .”